Courtesy of the artist. By Selene Wendt Storytelling and narration have played a significant role in contemporary art for quite some time, materializing as a trend that has developed alongside the increasing popularity of documentary practices in art. Whether historically, politically or personally based, narrative tendencies in contemporary art range from highly straightforward and factual to magical and fairytale-like. There is no shortage of contemporary art that conveys narratives relating to topics of sexuality and race, identity issues, philosophy, politics, and life in general.
It is an oral tradition and its prolific nature has captured the attention of listeners everywhere. Though it is only in the past two decades that Irish Music has gained such recognition on an international scale, its origins can be traced back to almost two thousand years ago when the Celts arrived in Ireland.
They brought with them, among other skills and crafts, music. Having been established in Eastern Europe since BC, the Celts were undoubtedly influenced by the music of the East, and indeed, it is speculated that the Irish Harp originated in Egypt.
However, it is here in Ireland that the tradition has evolved most articulately, thrived most strongly and survived most courageously. The harp is best known of all the traditional Irish instruments and was most dominant from the Tenth to the Seventeenth Centuries.
In the Nineteenth Century it evolved into the Neo-Irish Harp which, in structure, is much like that of the classical concert harp.
Before the Seventeenth Century, the harp tradition was at its height and all the harpists were professional musicians. The ruling Chieftains employed them, under a system of patronage, to compose and perform music.
|Forgot Password?||Excerpt The information era and the ongoing globalization are leading to a loss of cultural identity in many countries over the world. While Ireland is strongly connected to the digital Revolution with its many multinational IT-companies, it is even stronger connected to its culture and traditions.|
|The 18th century||It indicates that short story came from the concept of both the ancient form of the folk tale and preoccupations of modem literature.|
|Choose a Language||This section is an attempt to gather information on customs of the oral tradition world-wide.|
|A story to tell: the culture of storytelling and folklore in Ireland. - Free Online Library||Studies in Aggadah and Jewish Folklore.|
|A story to tell: Retrieved Sep 17 from https:|
The tradition enjoyed a steady and secure status under this arrangement. However, in the Chieftains fled the country under pressure from invaders. This came as a serious blow to the professional harpists and the tradition as a whole. The first written collection of Irish music appeared incontaining 49 airs and published by Neale brothers in Dublin.
However, it was not until the Belfast harp festival of that the most significant notation of Irish music was made by Edward Bunting.
The manuscripts survive to this day and are among the most important documents in the history of the tradition. Just as the flight of the Chieftains in affected the harping tradition, attempts at colonization adversely affected Irish culture in the decades following the initial invasion.
Many of the laws introduced by the British crown were aimed at crushing the Irish culture and, in the case of the penal laws, it was forbidden to participate in any traditional or cultural activities.
Many would believe that such laws were to some extent successful in suppressing the hampering the growth of music in Ireland during the period of their enforcement.
The subsequent wave of emigration, of over two million people, which accompanied the Famine, though a devastating factor in Irish life, did help to bring the music tradition further afield.
On leaving Ireland, the immigrants brought with them their songs and music and a traditional Irish music network was quickly established in cities such as New York, Chicago and Boston where there was a concentrated Irish population. When these RPM recordings made their way back to Ireland they had a dramatic effect on the tradition here.
To the surprise of the listeners, piano accompaniment was given to the fiddle and uilleann pipes and the dance tunes were played at a quickened pace. As a result of these recordings, musicians in Ireland also began to speed up the tempo of the tunes as well as using the piano as an accompanying instrument, an idea previously unheard of in the tradition.Story of Irish Music.
Traditional Irish Music is known today throughout the world. It is an oral tradition and its prolific nature has captured the attention of listeners everywhere. Irish literature, the body of written works produced by the urbanagricultureinitiative.com article discusses Irish literature written in English from about ; its history is closely linked with that of English urbanagricultureinitiative.com-language literature is treated separately under Celtic literature.
Essay about The Features of Traditional Irish Storytelling The Features of Traditional Irish Storytelling Fairytales are probably the most popular mean of entertainment not only for children but also for grown ups no matter which form they may take on: a story read or .
Irish people, in general, are very relaxed about time. Manners People will generally say ‘please’ and ‘thank you’, for example, when getting off a bus most people will thank the bus driver.
The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out” (86). Benjamin had a very valid point in terms of oral storytelling, but clearly the art of storytelling in the written form will never die out, and visual storytelling is blossoming like never before.
Join us on a magical journey through Ireland's past. Through the art of unique Irish storytelling you will discover Ireland's rich history, a history that is so inextricably linked with its mythology!
Listen to stories of a time gone by when Pookas, fairies and giants roamed this land.